Rachel Weisz

‘Black Widow’ is a good time, even if it does come up short on originality and stakes for the MCU moving forward.

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Scarlett Johansson and Black Widow FINALLY get a standalone movie in the MCU and it’s five years too late. Fun action but no stakes.

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Though excellently acted, ‘The Favourite’ is bleak with some pacing problems.

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In ‘Disobedience’ two Rachels, Weisz and McAdams, find themselves in a forbidden romance that test their communities religious morals.

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The Lobster has been surviving the big blockbuster summer on positive word of mouth alone. If you miss it in theaters, don’t fear: It’s the perfect movie to watch at home, where you can marvel at its absurdity and ponder its questions with someone you love.

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Although there are discernible arcs and some level of growth for a few of the characters, ‘Youth’ is all so on-the-nose and force-fed that the whole affair comes off as decidedly manufactured and plastic.

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It was in the freewheeling spirit of huckster Oscar Diggs that the exceptionally talented Drafthouse chefs created the ‘Oz the Great and Powerful’ Dinner Party as a way to celebrate.

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Eric, Trevan and Trey return to talk about Oz the Great and Powerful, West of Memphis and Don’t Stop Believin: Everyman’s Journey. Is Sam Raimi’s first film in four years worth the wait? Is James Franco a worthy Oz? Does West of Memphis provide some needed closure or shed additional light on The West Memphis Three? Tune […]

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James Franco and Sam Raimi return to Oz for the first time in Oz the Great and Powerful, but is the trip worth it? The answer is a resounding, “kind of.”

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It’s the dog days of summer as we talk about three movies that round out the summer movie season.

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Two gritty docudramas make their way to Blu-ray and DVD, but each take a different approach to worthwhile bonus content. This review is of the new Rachel Weisz thriller ‘The Whistleblower,’ and Steven Soderbergh’s Oscar-winning ‘Traffic.’

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