It happens almost every year.

This is deeply disappointing but unfortunately not surprising at all. The two best documentaries I’ve seen this year have just been screwed out of a shot at an Oscar nomination.

“Anvil! The Story of Anvil” and Michael Moore’s “Capitalism: A Love Story” were not picked as one of 15 films deemed eligible by the Academy of Motion Picture Arts and Sciences to be nominated for an Oscar.

Also left off the list was Oscar winner Davis Guggenheim’s “It Might Get Loud” starring Jimmy Page, The Edge, and Jack White and the high-profile doc “The September Issue.” WTF?

These movies join a long and distinguished list of classic documentaries that got screwed by the Academy such as “The King of Kong,” Werner Herzog’s “Grizzly Man,” Kurt Kuenne’s “Dear Zachary,” “Hoop Dreams” (which was nominated for Best Editing),  “Crumb,” and “American Movie.”

“Soundtrack for a Revolution,” which features the Roots, the Blind Boys of Alabama, John Legend, and Wyclef Jean, however, was nominated. This is the first time I’m hearing about this movie.

By the way, “Michael Jackson’s This Is It” wasn’t released before the Oscar deadline, so it’s ineligible for the documentary category this year. Some insiders say it has a chance at the Best Picture category (which is now expanded to 10 nominees).

Here are the lucky nominees. The three most high-profile docs are in italics:

• The Beaches of Agnes
• Burma VJ
• The Cove
• Every Little Step
• Facing Ali
• Food, Inc.
• Garbage Dreams
• Living in Emergency: Stories of Doctors Without Borders
• The Most Dangerous Man in America: Daniel Ellsberg and The Pentagon Papers
• Mugabe and the White African
• Sergio
• Soundtrack for a Revolution
• Under Our Skin
• Valentino The Last Emperor
• Which Way Home

What are some of the other high-profile worst Oscar documentary snubs in history?

Tags: 2009, anvil, capitalism: a love story, documentary, included, ineligible, left, Michael, moore, not, off, oscar, screwed, shortlist, snubbed

Just got this from Overture Films:

Michael Moore’s next documentary, CAPITALISM: A LOVE STORY, opening nationwide on October 2, 2009. This trailer contains the first footage available from the film, and as you’ll see, the timeliness of the topics it explores will surely resonate with all audiences.

“It’s got it all — lust, passion, romance, and 14,000 jobs being eliminated every day.” - Michael Moore

CAPITALISM: A LOVE STORY tackles an issue Michael Moore has been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). But this time the culprit is much bigger than General Motors, and the crime scene far wider than Flint, Michigan. From Middle America, to the halls of power in Washington, to the global financial epicenter in Manhattan, Michael Moore will once again take filmgoers into uncharted territory.

Tags: 2009, capitalism, capitalism: a love story, First, full, Michael, michael moore, moore, new, october, poster, trailer

“Capitalism: A Love Story,” Michael Moore’s new documentary, out Oct. 2, 2009.

Just got this press release from Overture Films:

(Beverly Hills, CA) July 8, 2009— “Capitalism: A Love Story” is the newly unveiled title of Oscar-winner Michael Moore’s latest documentary feature. Overture Films will release the film domestically on October 2, 2009, and Paramount Vantage will handle international distribution. As previously announced, Moore will return to the issue that began his career: the disastrous impact that corporate dominance and out-of-control profit motives have on the lives of Americans and citizens of the world.

On why he chose to make a ‘love story,’ Moore stated that it was time for him to make a ‘relationship movie.’ “It will be the perfect date movie,” said Moore. “It’s got it all — lust, passion, romance, and 14,000 jobs being eliminated every day. It’s a forbidden love, one that dare not speak its name. Heck, let’s just say it: It’s Capitalism.”

Here’s a link to the teaser that ran a couple weekends ago and caused quite a commotion in theaters.

This should be interesting, I think. I wonder if it will be a complete takedown of the idea of capitalism or if it will just go after what it has become in this country. If it’s the former, Moore runs the risk of taking what could be a mass-media audience for the movie and limiting to a much smaller, niche audience (even smaller thann his niche already is). As mentioned in an earlier release about the film, “Capitalism: A Love Story” will explore the root causes of the global economic meltdown and take a comical look at the corporate and political shenanigans that culminated in what Moore has described as “the biggest robbery in the history of this country” – the massive transfer of U.S. taxpayer money to private financial institutions.

Tags: 2009, capitalism, capitalism: a love story, date, documentary, film, for, Michael, moore, movie, new, release, title, unveils

This weekend at screenings of “The Taking of Pelham 1 2 3″ in select theaters in New York, Los Angeles, Washington, D.C., and Chicago, a teaser trailer for the new Michael Moore documentary was shown to audiences. The teaser, embedded above, asked moviegoers to give money to the needy during this recession—the CEOs of major banks and corporations. Ushers began streaming down the aisles with shirts that read: “Save our CEOs.”

The whole stunt was filmed, probably for inclusion in Moore’s upcoming as-yet-untitled “bailout” film, due to be released in October. Considering how much things have changed in the recent year since he started working on themovie, it will be interesing to see what he includes to makeit as timely as possible. And considering his strong ties to General Motors (Ever seen Roger and Me”?), I have a feeling this will be a passionate movie. Moore’s been ahead of the curve, forseeing the bigger picture long before the mainstream in his last two movies (”Fahrenheit 9/11,” “Sicko”), but I wonder if his take on the current economic crisis be an angry tirade or try to offer some solutions as well?

Here’s the text from the trailer:

“Hi, I’m Michael Moore. Instead of using this time to tell you about my new movie I’d like to take a moment and ask you to join me in helping our fellow Americans. The downturn in the economy has hurt many people, people who have had no choice but to go on government assistance. Yet our welfare agencies can only do so much. That’s why I’m asking you to reach into your pockets right now and lend a hand. Ushers will be coming down the aisles to collect your donations for Citibank, Bank of America, AIG, Goldman Sachs, JP Morgan and a host of other needy banks and corporations. Won’t you please give generously? Now, I know what you’re thinking - I already gave at the bailout. And I know you did, but even if you’ve given in the past, give some more. It will make you feel… good.”

Tags: 2009, causes, ceos, commotion, Michael, moore, our, save, teaser, this, weekend

Just got this press release:

Oscar-winning filmmaker to explore ‘the wonders of capitalism’

(Beverly Hills, CA) May 21, 2009— Overture Films and Paramount Vantage have announced that Oscar-winner Michael Moore’s new documentary feature will be released domestically on October 2, 2009. The as-yet-untitled film will explore the root causes of the global economic meltdown and take a comical look at the corporate and political shenanigans that culminated in what Moore has described as “the biggest robbery in the history of this country” – the massive transfer of U.S. taxpayer money to private financial institutions.

On this, the 20-year anniversary of his masterpiece “Roger & Me,” Moore returns to the issue that began his career: the disastrous impact that corporate dominance and out-of-control profit motives have on the lives of Americans and citizens of the world. But this time the culprit is much bigger than General Motors, and the crime scene far wider than Flint, Michigan.

Says Moore: “The wealthy, at some point, decided they didn’t have enough wealth. They wanted more — a lot more. So they systematically set about to fleece the American people out of their hard-earned money. Now, why would they do this? That is what I seek to discover in this movie.”

Moore’s new documentary, his first since 2007’s widely-praised “Sicko,” was first announced by Overture and Paramount Vantage International in May 2008 at the Cannes Film Festival and production began shortly afterward.

Chris McGurk and Danny Rosett, Overture’s CEO and COO respectively, previously worked with Moore when they oversaw the release of Bowling for Columbine at MGM/United Artists.

“Everyone can relate to this subject matter and all have been affected,” said McGurk and Rosett. “We think there should be plenty of people interested in hearing Michael’s take on how exactly we got here and what we can do to move forward.”

John Lesher, President of Paramount Film Group, added, “Michael is a master at capturing the most timely and critical issues shaping our world today. His unique, thought-provoking method of filmmaking is sure to bring dynamic insights into the state of the global economy that will have mass appeal to audiences worldwide.”

The release date is a year and a day after the United States Senate voted to hand Wall Street a $700 billion bailout.

Tags: 2009, capitalism, documentary, Michael, michael moore, moore, new, october, overture, paramount, untitled

This weekend, the new James Bond film “Quantum of Solace” raked in a huge take of $67 million in America alone. For Scene-Stealers sitegoer Will Dawson, this is very exciting. He’s got a lot of favorite Bond movies, but has instead, for us he decided to create a list of the top 10 worst James Bond films from the franchise’s 46 years. Some of these movies, says Will, have their moments, but for the most part these are the Bond movies that there are just no excuses for. And he didn’t even include Timothy Dalton! I smell some controversy … If you have an idea for your own Top 10 list you’d like to submit, email me at eric@scene-stealers.com! Will’s list starts now:

10. On Her Majesty’s Secret Service (1969)

The problem with this movie isn’t that the storyline or the supporting cast is bad, in fact, that is far from it. The story and the action sequences are actually some of the better ones in the entire series. Diana Rigg is a very intriguing Bond girl and Telly Savalas had probably the best characterization of villain Blofeld in the entire James Bond franchise. The film’s only problem can be surmised in two words: George Lazenby. The one-time only Bond’s acting is so wooden and unbelievable that you keep hoping Sean Connery is going to come in and save the day, but he doesn’t, leaving us with the mess that is Lazenby. Surprisingly, Lazenby wasn’t fired by the producers. He quit the role, claiming that Bond would become something of anti-authority figure for the Vietnam generation.

9. The World Is Not Enough (1999)

The third in the Pierce Brosnan Bond series suffers from not enough memorable moments. Robert Carlyle (one of my favorite actors) is used ineffectively as the villain, and although Sophie Marceau is pretty seductive as the other villain, it is Denise Richards who provides the film’s only memorable moments. (And by memorable, I mean extremely annoying!) She is Dr. Christmas Jones. Richards has not only has the worst Bond-girl name in the history of the franchise, but she is also one of the worst actresses to portray a Bond girl. Instead of coming off as sexy and stylish, she comes off trashy and bitchy. Unfortunately, this isn’t the only time an actress’ performance as a Bond girl has had mixed results at best. Really bad Bond pun:

Bond: “I’ve always wanted to have Christmas in Turkey.”

8. Diamonds Are Forever (1971)

After Lazenby left the role, Sean Connery returned as 007 in this over-the-top outing that has a ridiculous plot, annoying Bond girls, and very bizarre villains. The plot of the film revolves around Blofeld (played this time by Charles Gray of “Rocky Horror Picture Show” fame) trying to put diamonds in his laser beam to destroy the world. Jill St. John is Tiffany Case, who is not only Denise Richards-annoying, but also has absolutely no chemistry with Sean Connery. Connery also seems to be bored in the role that made him a star; it’s probably a good thing that he took the money and ran. Note the strange homosexual underscores between the two Bond henchmen, Mr. Kidd and Mr. Wint. Here is an example:

Mr. Kidd: Well, they’re both aboard, and I must say Miss Case seems quite attractive… [Mr. Wint glares at him]
Mr. Kidd: …For a lady. [pause]
Mr. Kidd: Heh heh heh heh!

7. Live and Let Die (1973)

The first Roger Moore movie on this list and certainly not the last, “Live and Let Die” combines plot elements taken from blaxpoitation phenomenon “Shaft” and southern-hick TV comedies like “Hee Haw”. The stunts are unrealistic even for a Bond flick (In one scene, Bond escapes by jumping on top of crocodiles!), and there are definite racial overtones and stereotypes (The villains are all black and Bond has to save a white woman from the clutches of the evil black men). Another horrible thing about this film was the introduction of Sheriff J.W. Pepper, a character that was created possibly to make the Bond series “less British,” which means “less snobby” in the eyes of American audiences. On the plus side, Jane Seymour (Oh, Dr. Quinn!) is incredibly hot as Solitaire and Paul McCartney’s theme song is pretty sweet.

6. Octopussy (1983)

This is the worst titled Bond movie of all time. In the film, Bond (Moore again) travels to India and encounters the title character on a manmade island where she trains women in “business.” I’m uncertain what follows next because the only thing I can remember are the numerous double entendres as Bond makes references to Octopussy’s name and wonders how she got it (According to her, it was because she had a fondness for octopi). Anyway, Maud Adams, who portrays our title heroine, is too stiff and lacks the vital chemistry with Moore that is needed in a Bond Film. However, this is Homer Simpson’s favorite James Bond movie as evidenced in this line from “The Simpsons”:

“You know what I like from you Brits, Octopussy. I must have seen that movie [pause]….twice.”

5. A View To A Kill (1985)

Moore’s last outing as Bond is just as difficult to watch today as it probably was back then (It came out two years before I was born.) From the out-of-place Duran Duran title song, to the final scene atop San Franciso’s Golden Gate Bridge, this movie is one giant mess. It certainly doesn’t help matters that Moore was pushing 60 around the time he was making this movie and looks out of shape and out of place as our hero. Christopher Walken is miscast as Max Zornin, a supposed Nazi superchild-turned-trained KGB agent. The convoluted plot revolves around trying to destroy Silicon Valley. And then there’s Grace Jones. Moore, not surprisingly, later regretted to having taken part in the production at all.

4. The Man With The Golden Gun (1974)

Britt Ekland as the most obnoxious Bond Girl? Check. A villian with three nipples? Check. Hervé Villechaize (who you may know better as Tattoo from TV’s “Fantasy Island”)? Check. The reappearance of the obnoxious J.W. Pepper from “Live and Let Die”? Checkmate. This is a desperate and bad Bond movie. Moore’s second outing as Bond is so strange that I really don’t know what to think of it. On the one hand, it is unintentionally hilarious. On the other hand, it’s so damned weird. Just thinking about Christopher Lee taking off his shirt and revealing his third nipple makes me cringe. And seriously, “the Plane!! the Plane!” guy from “Fantasy Island” as a Bond henchman? What the hell?

3. Moonraker (1979)

Alright, I know it seems that I’m knocking Roger Moore unfairly, but I’m not. It just so happens that the majority of Bond Films that Moore were in were extremely corny and unbelievable, and this definitely is the most unbelievable of them all. Trying to cash in on the “Star Wars” phenomenon, the producers decided to put Bond in space, with horrible results. From meeting Lois Chiles, who portrays Dr. Holly Goodhead as though she’s merely reading her lines, to a battle between U.S. Space Marines and Hugo Drax’s henchmen, this movie is another great travesty in the history of Bond movies. Not even the reappearance of Jaws (Richard Kiel) from 1977’s “The Spy Who Loved Me” could save this movie from the cheesiness that characterized Moore’s absolute worst outing as Bond.

2. You Only Live Twice (1967)

This is my least favorite of the Connery Bond films mostly because this Bond film is the first bad movie in the series. There is too much gadgetry that serves no point, the Bond girls are completely unmemorable, and the plot involving Blofeld (this time played by Donald Pleasance of “The Great Escape” and “Halloween” fame) trying to use his laser to bring about world destruction is ridiculous. However, not any of these moments can compare to the one where Bond has to undergo plastic surgery to look like a Japanese local. Not only does Connery not even remotely resemble a Japanese person, but he also comes across as a dumb stereotypical Caucasian male trying to impersonate a person of Asian descent. Offensive? Oh, yeah. However, this was only the worst Bond movie until…

1. Die Another Day (2002)

From Madonna’s horrible title song, to Halle Berry’s messy performance as Jinx (Berry supposedly was to get her own franchise after “Die Another Day” was completed!), this movie is one giant stinking pile of shit. If you want to talk about all the things that are wrong about James Bond movies—well here they all are. Awful villains (including a man who has a diamond-incrusted forehead), an over-reliance on CGI (a car chase in a melting ice hotel), blatant product placement (including one close-up of a Norelco electric razor), and badly misused actors (examples include Pierce Brosnan as Bond, Michael Madsen as a Felix Leiter knockoff, and Madonna’s horrible two-minute cameo as—get this—a fencing instructor) make this the dismally worst one in the series. The good thing that came out of this crapfest was the complete reboot of the franchise— a new version of “Casino Royale” with Daniel Craig. This is also the last appearance of M’s secretary Miss Moneypenney, whose constant flirtatious tension with Bond was a regular feature of most Bond films. In “Die Another Day,” she is seduced by Bond … by way of virtual-reality glasses. How horrible. Truly a new low.

Tags: 10, adams, awful, bad, blofeld, bond, brosnan, christmas, connery, denise, diana, george, girls, grace, james, Jaws, jinx, jones, kiel, lazenby, maud, moneypenney, moore, movies, pierce, pleasance, richards, rigg, roger, savalas, sean, sucky, ten, terrible, top, Worst