Michael Keaton

‘The Flash’ overly complicates itself by unnecessarily repeating story beats, but it’s lighthearted, funny, and entertaining if you can get past Ezra Miller’s egregious offscreen behavior.

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Captain Marvel is the story of an alien-human hybrid with near-limitless powers and a rare example of a female-fronted superhero film in a genre that often positions women in supporting roles. This got Scene-Stealers thinking about the best examples of female comic book superheroes in film, as there have been many great examples (along with several bad ones) over the years.

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Spider-Man Homecoming is a fun and exciting addition to the Marvel Cinematic Universe with a performance by Tom Holland that captures the web head perfectly.

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In films like 21 Grams, Biutiful, and Babel, he revels in the misery of his characters and then contrives to make them even more miserable. Don’t get me wrong, there’s plenty of misery and pretentiousness in Birdman (which is subtitled The Unexpected Virtue of Ignorance) but its mostly psychosomatic—and often played for laughs, which is a new thing for Iñárritu.

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Trevan and Trey go over a pair of movies this week: Robocop and Gloria, which couldn’t be more different.

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The satire is still there, albeit not as angry and way more obvious, and the targets have shifted ever so slightly to keep up with current events. Had the film been a carbon copy, though, there would have been no point in making it.

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