liam neeson

Real-life father and son Liam Neeson and Michael Richardson star in James D’Arcy’s directorial debut about a dysfunctional father and son coming together. The film doesn’t live up to its on paper potential and instead is dreadfully dull.

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[Rating: Swiss Fist] First of all, I absolutely without a doubt would pay to watch Tessa Thompson read a phone book at this point, which is probably the main reason I was able to get through the somehow pathetically average Men in Black: International with a few solid chuckles and only a few more eye […]

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The Commuter is predictable at times and doesn’t dig deep enough into some of the interesting philosophical questions, but it’s a pretty decent little action thriller.

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Liam Neeson plays ‘Mark Felt: The Man Who Brought Down the White House’ in a cold, soulless D.C. performance.

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While the destination reached by the end of A Monster Calls is probably a good place for any child to be, it’s not a very rewarding journey getting there.

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Today’s list celebrates the best of Greek legends in their cinematic form, and ranked them based on their powers and perceived usefulness in the featured films.

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The maniacal genius Paul Haggis has created the impossible. Third Person is a film that is complex and trite, clichéd and nonsensical, and misanthropic and overly sentimental.

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Trevan and Trey return to go over two new movies: Third Person from that writer/director/guy Paul Haggis, who gave us Crash. If you don’t already, please Like us on Facebook. It’s the quickest way to get news, reviews and podcasts from us and the rest of the Web. And please subscribe to the Scene Stealers Podcast on iTunes or our RSS.

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After a week off, Trevan and Trey are back to talk about Seth MacFarlane‘s new movie A Million Ways To Die In The West and then Trevan lets off some steam about X-Men: Days of Future Past. There’s a lot of time travel in this week’s podcast, so Huey Lewis seemed like an obvious choice for segue […]

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As the musical version of Les Miserables hits the big screen, Eric has a review of the 1998 non-musical movie of Les Miserables starring Liam Neeson, and the latest Resident Evil movie, both new on DVD and Blu-ray now.

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I’m all for implausible and efficient action movies, especially when they’re big and ridiculous and having fun. But there’s nothing to Taken 2, which is downbeat and deadly serious—except for one memorable car chase in the middle of the film.

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The trio return in full this week, as Eric reviews Sacha Baron Cohen’s The Dictator and Trevan takes on the newest offering from Hasbro, Battleship. Trey finally gets to have his say regarding Avengers. Check out Eric’s other project U.S. Air Guitar. Subscribe to The Scene-Stealers Podcast on iTunes or our RSS.

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Fresh off of seeing Wrath Of The Titans, Trevan and Eric unleash a Kraken of rage on this unnecessary and unwarranted sequel. Meanwhile Trey struggles to come up with a single memorable thing about Salmon Fishing In The Yemen and comes away with a pretty hilarious homage to 24. Lastly, and on a much sadder note, Trevan reads racist […]

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‘Wrath of the Titans’ is fluff, for sure, but it’s not even lighthearted cotton candy. It’s more like a convenience store burrito—it just kind of drags you down after a while.

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Don’t trust the advertising campaign on ‘The Grey.’ What’s made to look like a simple survival/action movie is actually far more subdued and emotionally taxing.

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