Jonathan Groff

‘Knock at the Cabin’ is a middle-of-the-pack M. Night film with a solid cast and a stellar set up but fails to sink its teeth into its own questions.

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Keeping in mind that there’s been an entire generation of movie-goers since 2003’s ‘The Matrix Revolutions’ was on screen, it may not play as the “greatest hits” compilation that it will for older patrons.

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‘Frozen II’ matures from its predecessor into the adventure of Elsa and Anna, discovering the magic within themselves.

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C.O.G., a short story from Sedaris’ 1997 collection of essays Naked, is the progeny of this slow-simmered hype, and does about as well as a Sedaris fan might hope for; the story of a recently minted Yale grad looking for a taste of the genuine American experience

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