J.J. Abrams, the man behind the new reboot of the “Star Trek” franchise (and the amazing new issue of Wired magazine, which is one big puzzle), gave a fascinating and entertaining TED lecture about the use of mystery and the intentional withholding of information a while back. Coming from one of the co-creators of ABC’s “Lost,” it should come as no surprise to hear this strategy. What was interesting to me, however, was hearing how George Lucas’ “Star Wars” was an influence on the man who is charged with making “Star Trek” a valuable movie franchise again.

“Look at Star Wars. You got the droids, they meet the mysterious woman, who’s that? We don’t know—mystery box. Then you meet Luke Skywalker, he gets the droids, you see the holographic image, you learn, “Oh it’s a message, she wants to find Obi-Wan Kenobi, he’s her only hope,” but who the hell is Obi-Wan Kenobi—mystery box. So then you go and he meets Ben Kenobi. Ben Kenobi is Obi-Wan Kenobi—holy shit, you know?”

Another highlight: What are stories but mystery boxes? The withholding of information intentionally—“Jaws,” “Alien,” “The Graduate”? You’ll have to hear his explanation of “The Graduate” for yourself. Watch the video.

About that , he says: “Don’t rip off the shark, rip off the character—that’s what makes it interesting.”

Having seen “Star Trek” this past weekend, I can assure you that the “mystery box,” as Abrams calls it, is alive and well and goes a long way towards building a sense of wonder in the new storyline of the Enterprsie and its crew.

Tags: Alien, graduate, influence, j.j. abrams, Jaws, magazine, mystery box, Star Trek, star wars, video, wired

This weekend, the new James Bond film “Quantum of Solace” raked in a huge take of $67 million in America alone. For Scene-Stealers sitegoer Will Dawson, this is very exciting. He’s got a lot of favorite Bond movies, but has instead, for us he decided to create a list of the top 10 worst James Bond films from the franchise’s 46 years. Some of these movies, says Will, have their moments, but for the most part these are the Bond movies that there are just no excuses for. And he didn’t even include Timothy Dalton! I smell some controversy … If you have an idea for your own Top 10 list you’d like to submit, email me at eric@scene-stealers.com! Will’s list starts now:

10. On Her Majesty’s Secret Service (1969)

The problem with this movie isn’t that the storyline or the supporting cast is bad, in fact, that is far from it. The story and the action sequences are actually some of the better ones in the entire series. Diana Rigg is a very intriguing Bond girl and Telly Savalas had probably the best characterization of villain Blofeld in the entire James Bond franchise. The film’s only problem can be surmised in two words: George Lazenby. The one-time only Bond’s acting is so wooden and unbelievable that you keep hoping Sean Connery is going to come in and save the day, but he doesn’t, leaving us with the mess that is Lazenby. Surprisingly, Lazenby wasn’t fired by the producers. He quit the role, claiming that Bond would become something of anti-authority figure for the Vietnam generation.

9. The World Is Not Enough (1999)

The third in the Pierce Brosnan Bond series suffers from not enough memorable moments. Robert Carlyle (one of my favorite actors) is used ineffectively as the villain, and although Sophie Marceau is pretty seductive as the other villain, it is Denise Richards who provides the film’s only memorable moments. (And by memorable, I mean extremely annoying!) She is Dr. Christmas Jones. Richards has not only has the worst Bond-girl name in the history of the franchise, but she is also one of the worst actresses to portray a Bond girl. Instead of coming off as sexy and stylish, she comes off trashy and bitchy. Unfortunately, this isn’t the only time an actress’ performance as a Bond girl has had mixed results at best. Really bad Bond pun:

Bond: “I’ve always wanted to have Christmas in Turkey.”

8. Diamonds Are Forever (1971)

After Lazenby left the role, Sean Connery returned as 007 in this over-the-top outing that has a ridiculous plot, annoying Bond girls, and very bizarre villains. The plot of the film revolves around Blofeld (played this time by Charles Gray of “Rocky Horror Picture Show” fame) trying to put diamonds in his laser beam to destroy the world. Jill St. John is Tiffany Case, who is not only Denise Richards-annoying, but also has absolutely no chemistry with Sean Connery. Connery also seems to be bored in the role that made him a star; it’s probably a good thing that he took the money and ran. Note the strange homosexual underscores between the two Bond henchmen, Mr. Kidd and Mr. Wint. Here is an example:

Mr. Kidd: Well, they’re both aboard, and I must say Miss Case seems quite attractive… [Mr. Wint glares at him]
Mr. Kidd: …For a lady. [pause]
Mr. Kidd: Heh heh heh heh!

7. Live and Let Die (1973)

The first Roger Moore movie on this list and certainly not the last, “Live and Let Die” combines plot elements taken from blaxpoitation phenomenon “Shaft” and southern-hick TV comedies like “Hee Haw”. The stunts are unrealistic even for a Bond flick (In one scene, Bond escapes by jumping on top of crocodiles!), and there are definite racial overtones and stereotypes (The villains are all black and Bond has to save a white woman from the clutches of the evil black men). Another horrible thing about this film was the introduction of Sheriff J.W. Pepper, a character that was created possibly to make the Bond series “less British,” which means “less snobby” in the eyes of American audiences. On the plus side, Jane Seymour (Oh, Dr. Quinn!) is incredibly hot as Solitaire and Paul McCartney’s theme song is pretty sweet.

6. Octopussy (1983)

This is the worst titled Bond movie of all time. In the film, Bond (Moore again) travels to India and encounters the title character on a manmade island where she trains women in “business.” I’m uncertain what follows next because the only thing I can remember are the numerous double entendres as Bond makes references to Octopussy’s name and wonders how she got it (According to her, it was because she had a fondness for octopi). Anyway, Maud Adams, who portrays our title heroine, is too stiff and lacks the vital chemistry with Moore that is needed in a Bond Film. However, this is Homer Simpson’s favorite James Bond movie as evidenced in this line from “The Simpsons”:

“You know what I like from you Brits, Octopussy. I must have seen that movie [pause]….twice.”

5. A View To A Kill (1985)

Moore’s last outing as Bond is just as difficult to watch today as it probably was back then (It came out two years before I was born.) From the out-of-place Duran Duran title song, to the final scene atop San Franciso’s Golden Gate Bridge, this movie is one giant mess. It certainly doesn’t help matters that Moore was pushing 60 around the time he was making this movie and looks out of shape and out of place as our hero. Christopher Walken is miscast as Max Zornin, a supposed Nazi superchild-turned-trained KGB agent. The convoluted plot revolves around trying to destroy Silicon Valley. And then there’s Grace Jones. Moore, not surprisingly, later regretted to having taken part in the production at all.

4. The Man With The Golden Gun (1974)

Britt Ekland as the most obnoxious Bond Girl? Check. A villian with three nipples? Check. Hervé Villechaize (who you may know better as Tattoo from TV’s “Fantasy Island”)? Check. The reappearance of the obnoxious J.W. Pepper from “Live and Let Die”? Checkmate. This is a desperate and bad Bond movie. Moore’s second outing as Bond is so strange that I really don’t know what to think of it. On the one hand, it is unintentionally hilarious. On the other hand, it’s so damned weird. Just thinking about Christopher Lee taking off his shirt and revealing his third nipple makes me cringe. And seriously, “the Plane!! the Plane!” guy from “Fantasy Island” as a Bond henchman? What the hell?

3. Moonraker (1979)

Alright, I know it seems that I’m knocking Roger Moore unfairly, but I’m not. It just so happens that the majority of Bond Films that Moore were in were extremely corny and unbelievable, and this definitely is the most unbelievable of them all. Trying to cash in on the “Star Wars” phenomenon, the producers decided to put Bond in space, with horrible results. From meeting Lois Chiles, who portrays Dr. Holly Goodhead as though she’s merely reading her lines, to a battle between U.S. Space Marines and Hugo Drax’s henchmen, this movie is another great travesty in the history of Bond movies. Not even the reappearance of Jaws (Richard Kiel) from 1977’s “The Spy Who Loved Me” could save this movie from the cheesiness that characterized Moore’s absolute worst outing as Bond.

2. You Only Live Twice (1967)

This is my least favorite of the Connery Bond films mostly because this Bond film is the first bad movie in the series. There is too much gadgetry that serves no point, the Bond girls are completely unmemorable, and the plot involving Blofeld (this time played by Donald Pleasance of “The Great Escape” and “Halloween” fame) trying to use his laser to bring about world destruction is ridiculous. However, not any of these moments can compare to the one where Bond has to undergo plastic surgery to look like a Japanese local. Not only does Connery not even remotely resemble a Japanese person, but he also comes across as a dumb stereotypical Caucasian male trying to impersonate a person of Asian descent. Offensive? Oh, yeah. However, this was only the worst Bond movie until…

1. Die Another Day (2002)

From Madonna’s horrible title song, to Halle Berry’s messy performance as Jinx (Berry supposedly was to get her own franchise after “Die Another Day” was completed!), this movie is one giant stinking pile of shit. If you want to talk about all the things that are wrong about James Bond movies—well here they all are. Awful villains (including a man who has a diamond-incrusted forehead), an over-reliance on CGI (a car chase in a melting ice hotel), blatant product placement (including one close-up of a Norelco electric razor), and badly misused actors (examples include Pierce Brosnan as Bond, Michael Madsen as a Felix Leiter knockoff, and Madonna’s horrible two-minute cameo as—get this—a fencing instructor) make this the dismally worst one in the series. The good thing that came out of this crapfest was the complete reboot of the franchise— a new version of “Casino Royale” with Daniel Craig. This is also the last appearance of M’s secretary Miss Moneypenney, whose constant flirtatious tension with Bond was a regular feature of most Bond films. In “Die Another Day,” she is seduced by Bond … by way of virtual-reality glasses. How horrible. Truly a new low.

Tags: 10, adams, awful, bad, blofeld, bond, brosnan, christmas, connery, denise, diana, george, girls, grace, james, Jaws, jinx, jones, kiel, lazenby, maud, moneypenney, moore, movies, pierce, pleasance, richards, rigg, roger, savalas, sean, sucky, ten, terrible, top, Worst

Look out kids, here comes summer. A few months back, in desperation for some warm weather, I did a list of Top 10 Hot Movies. In anticipation of a little fun in the sun and some time in a few highly chlorinated, probably recently peed-in public swimming pools here is my list of Top 10 Movies From the Deep: films that take place primarily in, on or under large bodies of water. This is just a favorites list, there are some films that I would defend until my face is blue and then there’s “Deep Blue Sea.” Some of you, with wicked supreme old school monster-movie backgrounds, may be able to enlighten us with some requisite water monster classics, and I’m sure more than a few of you have a number of older films in your pocket that I’m missing - take for instance “20,000 Leagues Under the Sea,” which I haven’t seen since I was a kid. I’m sure we’re due for a “20,000 Leagues” remake any second now, but in the meantime, here are my current favorite Movies From the Deep.

10. Ghosts of the Abyss (2003)

There is no way “Titanic” was going to make this list, however the follow-up documentary which James “King of the World” Cameron made, post his bloated Celine Dion-themed behemoth, was actually quite interesting. The film was narrated by Bill Paxton (who also starred in “Titanic”), and Cameron and co. developed new underwater filming technologies to bring the wreckage of the Titanic to life in 3D. The mysteries of this famous shipwreck are far more illuminating from a historical perspective, minus all the sappy ridiculousness that Cameron poured so copiously all over his Oscar-winning smash-hit.

Old Rose: 1,500 people went into the sea… when Titanic sank from under us… there were twenty boats floating nearby… and only one came back. Six were saved from the water… myself included. *Six*. Out of 1,500. Afterward, the 700 people in the boats had nothing to do but wait… wait to die… wait to live… wait for an absolution… that would never come.

9. Deep Blue Sea (1999)

THIS IS A TERRIBLE MOVIE! However, sometimes unintentional humor, sharks, and LL Cool J all mixed together makes for high-end entertainment. Seriously, I can’t defend this film. I would try, but I swear I get a kick out of it because it is so over the top. Directer Renny Harlin is known as much for his big-budget action stinkers as the few (ie: “Cliffhanger” and “Die Hard 2″) that aren’t so bad. I base a great deal of my appreciation of this truly bad-is-good film on the monologue sequence where Samuel L. Jackson gives a tough-as-nails speech about how their going to make it out of the situation and then gets promptly swallowed up like an hors d’oeuvres by a problem-solving Mako shark. The rest of it I blame on LL Cool J.

Russell Franklin: So here’s the riddle. What does an eight thousand pound mako shark with a brain the size of a flat head V8 engine and no natural predators think about?
Carter Blake: Well, I’m not waiting around here to find out!

8. The Life Aquatic with Steve Zissou (2004)

There are few actors who experience a redefinition quite like Bill Murray has in the last decade. From “The Royal Tenenbaums” to “Broken Flowers” to “Lost in Translation” and “Rushmore,” Murray has charted a new course in his work that few actors are capable of or willing to attempt. Wes Anderson’s “The Life Aquatic with Steve Zissou” is easily his least accessible film to date with regards to characters and story, but it remains thoroughly intriguing. From an art direction standpoint, the scenes in this film that take place on a doll house-like, cutaway set of the ship, are on par with visionary filmmakers like Michel Gondry and Tim Burton’s finest moments.

Ned Plimpton: I’m gonna fight you, Steve.
Steve Zissou: You never say, “I’m gonna fight you, Steve.” You just smile and act natural, and then you sucker-punch him.
Ned Plimpton: You fight your way, and I’ll fight mine.
Steve Zissou: Oh, listen, Ned. Don’t you try to…
Steve Zissou: I think your Team Zissou ring might’ve caught me on the lip.

7. Lady in the Water (2006)

This film got a bad rap. Quite possibly because M. Night Shyamalan cast himself as the man who will save the world, but more likely because the film was fundamentally misunderstood - it is a fairy tale. I believe now, as I did when I first watched the film in the theater, that viewed through that lens it is a clever and enjoyable ride with yet another fabulous performance from Paul Giamatti. The girl comes through a swimming pool from a water world below, so technically this counts.

Cleveland Heep: H-how was the movie?
Harry Farber: Sucked
Cleveland Heep: Oh… what a shame.
Harry Farber: Characters were walking around, saying their thoughts out loud. Who does that? And in a typical romance where the couple finally tell each other they love one another in the rain. Why does everyonelike to stand around and talk in the rain in movies?
Cleveland Heep: Um… well maybe it’s a metaphor for purification; starting new.
Harry Farber: No, it’s not!

6. Cast Away (2000)

This one is the most debatable entry on the From the Deep list, but quite a bit of the film takes place on the ocean. The scenes with Hanks barely escaping a dramatic plane crash, or lying lifeless on what’s left of a makeshift raft being gently prodded by handy whales constitute a film primarily on or entirely surrounded by water. If you’ve ever been overcome by work and stress and given in to the desire to escape to a deserted island in your mind, this film will make you think twice about your aspirations to become Robinson Caruso.

Chuck Noland: We might just make it. Did that thought ever cross your brain? Well regardless I would rather take my chance out there on the ocean, that to stay here and die on this shithole island spending the rest of my life talking to a god damn VOLLEYBALL.

5. Master and Commander: The Far Side of the World (2003)

Despite the presence and star power of Russell Crowe, Austrailian director Peter Weir’s (”Dead Poets Society”) epic about sea captain Jack Aubrey didn’t exactly set any new box office records in 2003. It did, however, garner Weir a Best Director nomination and a Best Picture nomination for the film shot almost entirely on the water. Crowe and co-star Paul Bettany anchor the film with solid performances and obvious chemistry, and the ship-to-ship battle sequences are a thing of wonder.

Capt. Jack Aubrey: I respect your right to disagree with me, but I can only afford one rebel on this ship. I hate it when you talk of the service in this way. It makes me feel so very low. You think I want to flog Nagle? A man who hacked the ropes that sent his mate to his death? Under MY orders? Do you not see? The only things that keep this wooden world together are hard work…
Dr. Stephen Maturin: Jack, the man failed to salute. There’s hierarchies even in nature. There is no disdain in nature. There is no…
Capt. Jack Aubrey: Men must be governed! Often not wisely, but governed nonetheless.
Dr. Stephen Maturin: That’s the excuse of every tyrant in history, from Nero to Bonaparte. I, for one, am opposed to authority. It is an egg of misery and opression.
Capt. Jack Aubrey: You’ve come to the wrong shop for anarchy, brother.

4. Crimson Tide (1995)

One of the two submarine films on the list - the one still to come has the better story - but, “Crimson Tide” has better dialogue. Supposedly script-doctored by Quentin Tarantino, “Tide” is a claustrophobic, mutinous adventure with rapid fire dialogue and plot twists that make it one of my favorite military films of all time. Gene Hackman and Denzel Washington are phenomenal bouncing off one another and, if I’m not mistaken, this was my first proper introduction to both Aragorn (Viggo Mortenson) and Tony Soprano (James Gandolfini).

Capt. Ramsey: You do qualify your remarks. If someone asked me if we should bomb Japan, a simple “Yes.” By all means sir, drop that fucker, twice! I don’t mean to suggest that you’re indecisive, Mr Hunter. Not at all. Just, uh… complicated. ‘course, that’s the way the Navy wants you. Me, they wanted simple.
Hunter: Well, you certainly fooled them, sir.
Capt. Ramsey: Be careful there, Mr Hunter. It’s all I’ve got to rely on, being a simple-minded son of a bitch. Rickover gave me my command, a checklist, a target and a button to push. All I gotta know is how to push it, they tell me when. They seem to want you to know why.
Hunter: I would hope they’d want us all to know why, sir.

3. The Abyss (1989)

James Cameron makes his second appearance on the list at spot number three with “The Abyss.” I remember watching a “making of ” on HBO or Cinemax in high school and thinking, maybe for the first time, about what it would take to shoot a film like “The Abyss.” Special masks were engineered so the actor’s faces would be recognizable during underwater dialogue sequences, they flooded parking lots and built a set inside a grain silo which was then filled with water covered with black beads on the surface to block out all light. I recommend the extended edition of the film with a few extra minutes of the alien plotline that was left out of the theatrical version.

Ensign Monk: Bud, give me a reading from your liquid oxygen gauge.
Virgil: 5 minuts worth
Lindsey Brigman: What?
Alan “Hippy” Carnes: It took him *thirty* minutes just to get down there!
Lindsey Brigman: Bud! Do you hear me? You drop your weights and start back now, Bud. The gauge could be wrong. Do you hear me? Just drop your weights and start back now. The gauge could be wrong! The gauge could be wrong, you drop your weights and start back now!
Virgil: Going to stay awhile

2. The Hunt For Red October (1990)

This is by far the best of the Jack Ryan films based on the novels by Tom Clancy. Unfortunately, “October” star Alec Baldwin chose not to reprise his role as Ryan in future films, turning the part over to Harrison Ford for a few decent films (”Patriot Games” and “Clear and Present Danger”) - and then there was the Affleck incident. The ensemble cast is amazing, with far too many names to list here. The story is top notch, Baldwin and Sean Connery both turn in career-best performances and director John McTiernan of “Die Hard” fame brought it all together into one cohesive action-adventure thriller from the depths. Playing chicken with nuclear submarines is usually going to add some tension.

Jack Ryan: Has he made any Crazy Ivans?
Capt. Bart Mancuso: What difference does that make?
Jack Ryan: Because his next one is going to be to starboard.
Capt. Bart Mancuso: Why? Because his last was to port?
Jack Ryan: No. Because he always goes to starboard in the bottom half of the hour.

1. Jaws (1975)

This is the one that started it all. “Jaws” is the prototype summer blockbuster and the ultimate motivation for an almost genetic fear of all things moving in the deep - which many people, including myself, are entirely familiar with. Even the long list of tragically flawed ‘films from the deep’ that “Jaws” spawned - which include “Alligator,” “Lake Placid,” “Orca,” “Leviathan,” and many, many more - can’t undo the magnificence of Steven Spielberg’s breakout feature. It’s a movie that was so affecting that it put a permanent hex on sharks, the same way the Garden of Eden story has besmirched the reputation of snakes for centuries.

Hooper: Mr. Vaughn, what we are dealing with here is a perfect engine, an eating machine. It’s really a miracle of evolution. All this machine does is swim and eat and make little sharks, and that’s all. Now, why don’t you take a long, close look at this sign.
Hooper: Those proportions are correct.
Mayor Vaughn: Love to prove that, wouldn’t ya? Get your name into the National Geographic.

Tags: Cast Away, Crimson Tide, Deep Blue Sea, Ghosts of the Abyss, Jaws, Lady in the Water, Master and Commander, The Abyss, The Hunt for Red October, The Life Aquatic with Steve Zissou, Tom Clancy, tom hanks