Jamie Dornan

In Kenneth Branagh’s sublime film ‘Belfast’ he uses a young lad in 1960s Ireland to tell his own story of growing up through troubling times.

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‘Synchronic’ starts as a mind-bending psychedelic mystery and turns into a bland showcase of the scientific method in action. Anthony Mackie is good as the leading man, but he can’t save the lackluster script by himself.

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A 30-something woman navigating through love and heartbreak over the course of one year.

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‘A Private War’ successfully details the human cost of conflict on those that engage in it, but also amongst those along the fringes.

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As a film, Sam Taylor-Johnson‘s version of Fifty Shades of Grey is a not good, not terrible adaptation of E.L. James‘ wretched book. As a cultural event, Fifty Shades is a tragic missed opportunity.

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