interview

SF Sketchfest presents Plan 9 From Outer Space Table Read, adapted by Dana Gould, airs at 8pm EST / 7pm CST on Friday, May 7, as part of TCM Underground at the 2021 TCM Classic Film Festival.

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The debut feature from writer/director Adam Stovall, ‘A Ghost Waits,’ now streaming via Arrow, follows on the heels of last year’s acquisition by the venerable genre company of another left-of-center, oddly quirky, black and white fun take on genre cinema, The Lake Michigan Monster.

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‘The Beach House’ is absolutely one of my favorite horror films of the year, so I was thrilled to get a chance to hop of the phone with director/writer Jeffrey A. Brown to discuss how this excellent piece of small-budget terror came to be.

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‘Skin: A History of Nudity in the Movies’ is a fascinating and illuminating look at how social mores have changed, as well as how the industry itself treats the subject. Therefore, it was really great to speak with director Danny Wolf Wolf about his recent spate of work, and the art of presenting underrepresented topics onscreen.

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If you’re a fan of genre cinema, actor Munro Chambers is a rising star. He appeared in one of the best small-ensemble black comedies we’ve seen in years, ‘Harpoon,’ wherein his character undergoes transformations both physical and emotional, really making for a bleakly hilarious viewing. We spoke with Munro Chambers by phone about his career, and the intricacies of ‘Harpoon.’

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After a special early screening and after-party for ‘Everybody Wants Some!!!’ at Kansas City’s Alamo Drafthouse Mainstreet last Thursday, we got a chance to chat with Glen Powell, J. Quinton Johnson, and Wyatt Russell.

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Adam Rockoff’s new book, The Horror of It All is part memoir, part editorial, and part collection of lists. However, it all combines into a cohesive read that offers up the author’s views on any number of horror films, types, and tropes.

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The trick to it was to say that these movies are the “most metal,” and I am your guide as to what consists the “most metal.” You’re either going to like what I say or not.

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Jason Reitman’s new film Labor Day came out this past week. Trey had the opportunity to sit down with Joyce Maynard, the author of the novel on which Reitman’s film is based. The conversation covers authorial perspective, the changes that come with adaptation, and even a little about the struggles of single parenting. The full […]

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Musician Thomas Dolby has never made a film until now. The Invisible Lighthouse is a personal documentary made almost solely by Dolby that details the closure of a lighthouse on the coast of England near his home in Suffolk.

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Our Seattle correspondent Warren Cantrell sits down with Kieran Darcy-Smith, the director of Wish You Were Here, starring Joel Edgerton and Felicity Price.

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The espionage thriller gets an update with the release of The East. And let’s face it, born largely out of the Cold War; the espionage thriller needed a facelift. Pitting spy against spy and super power against super power just doesn’t work as anything other than a historical document or relic of the not-so-distant past.

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After a week off, Trevan, Eric and Trey are back with three movies for your listening pleasure.

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Trey Hock had the chance to chat with writer and actress Brit Marling about her new film The East which is in theaters this Friday.

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During the 2013 Seattle International Film Festival, I’ve had an opportunity to see tons of indie films and have conversations with the talent involved in making them. Here is my video interview with ‘Jump’ director Kieron J. Walsh.

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