Dark Places suffers from its commitment to its mediocre source material, and the horrendous Fantastic Four is a intro course in how not to write a screenplay.
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gillian flynn
Buried somewhere beneath the button-pushing gender politics and all-too-convenient plot twists in Gone Girl, there are some mildly interesting points being made about modern marriage. But after two and a half hours of soapy ridiculousness that wouldn’t be out of place on TV’s The Bold and the Beautiful, the movie just seems like cruel and unusual punishment.
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