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Daniel Espinosa

When it sticks to what it’s supposed to be doing, ‘Life’ is genuinely nerve-wracking. The problem is it constantly wants to pretend its something its not and every time the film spins off into an homage of the better films it was inspired by, you’ll feel like you should probably be watching ‘Alien’ or ‘2001’ instead.


Director Daniel Espinosa presents ‘Safe House’ with lots of handheld shaky-cam work and uncomfortable close-ups to make it seem more realistic, which is good—because if you think too much about the plot, you may realize it’s pretty silly stuff.