chris cooper

Tense, engaging, well cast, and only sometimes bewildering, Boston Strangler is a welcome update to the eponymous serial killer’s legend.

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Greta Gerwig has absolutely knocked it out of the park with her take on Louisa May Alcott’s ‘Little Women,’ which is as affecting as it is relevant.

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So no, Demoltion isn’t really a good film, but it shines at its most core element.

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Meryl Streep leads an all-star cast in this plate-breaker that never manages to rise above spitefulness.

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This week, Eric takes the week off for a spa visit, so Trevan and Trey enlist the help of Film School co-curator Erin Kennedy to talk about Her, August: Osage County and Lone Survivor. We’ve already talked about Her on last week’s best-of podcasts, but you’ll want to stick around for the Oscar fodder that is August: Osage County and […]

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It’s hard to argue with the enormous amount of enthusiastic earnestness on display in The Muppets, the new reboot of a movie franchise that hasn’t been vital since 1984.

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“How could guys like us worry about a tiny little thing like the sun?” The bracing melancholy of childhood is an underrepresented phenomenon in popular entertainment. By and large, children’s films prefer to coast by, parading antiquated, uninteresting archetypes and reducing all conflict to clinical action sequences devoid of substance or originality (see: Tim Burton’s […]

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