Imitation may be the sincerest form of flattery, but Hairbrained from director Billy Kent cannot escape its quirky 90s influences to exert much of its own personality.
{ Comments on this entry are closed }
Imitation may be the sincerest form of flattery, but Hairbrained from director Billy Kent cannot escape its quirky 90s influences to exert much of its own personality.
{ Comments on this entry are closed }
It’s not the idea behind Paul Haggis’ ‘Crash’ that’s so offensive, but it’s the way that that idea presented — as the ultimate argument settler.
{ Comments on this entry are closed }