Bob Odenkirk

‘Incredibles 2’ sports inventive choreography, amazing animation detail, and stylish production design that beg to be seen on the big screen. It’s recycled main conflict is the only thing keeping it from being a stone-cold classic.

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There’s no doubt that the free press plays an essential role in a democracy, and the timeliness of this picture can’t be disputed. It’s just too bad Spielberg doesn’t trust his audience enough to let them come to those conclusions on their own.

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For my money The Post is the biggest waste of potential of the year and the new ultimate signifier of how much Spielberg has fallen as an artist. Never before has it been so obvious that his teeth have just dulled. This film make Ken Burns seem edgy and political, and this is the EXACT WRONG MOMENT TO BE DOING THAT.

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Spielberg’s newest feature champions freedom of the press at a time when we need it the most.

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The right movie for the right moment directed by the right man at the wrong time, The Post has a lot of interesting things to say, yet often gets in the way of itself when trying to say them.

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‘Nebraska’ bears the familiar Payne stamp of melancholy mixed with hard-edged satire, while still feeling very personal.

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