What’s appealing about ‘Bliss’ is the ride on which Begos takes the viewer, strapping them into the same hellbent train as the protagonist, parceling out the inevitable reveal in a string of hallucinatory visuals.
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In June 1967, just after The Beatles recorded “Sgt. Pepper’s Lonely Hearts Club Band” and Pink Floyd recorded “Piper at the Gates of Dawn” at the same studio, The Zombies entered Abbey Road to record nine songs that would appear on “Odessey and Oracle” (and no, that’s not my misspelling, but one by the album cover’s designer which The […]
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