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Bill Strother

There is an extra prick of instinctive excitement in watching Safety Last! today because we know quite well that computer-generated effects didn’t exist in 1923. Besides the creative and thrilling staging of his building climb with an actual cityscape in the background (not a matte or a composite shot), the rest of Safety Last! is filmed with a real cinematic eye and the newly restored 2K digital film transfer looks fantastic.

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