bill murray

‘Ant-Man and the Wasp: Quantumania’ lacks the heart and soul that made us fall in love with Ant-Man and just isn’t the storytelling boost the MCU needed right now after some misfires from some of its big guns over the past year or so.

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[Rating: Solid Rock Fist Up] In theaters only on November 19 I’m going to preface my review by just noting that I have had an undying love for Ghostbusters since I saw it on the big screen at Bannister Square in Kansas City, Mo. in 1984. I tolerated and accepted the weaker sequel and even […]

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Rashida Jones and Bill Murray star in Sofia Coppola’s newest feature ‘On the Rocks.’ Coppola shows why she is one of the best auteurs working today, with her sharp dialogue-driven New York drama.

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The Dead Don’t Die is an offbeat, quirky comedy that doesn’t take itself seriously with performances by Murray and Driver that are worth the slow burn.

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A breezy little documentary with modest ambitions and a surplus of reverence for its subject, ‘Loopers: The Caddie’s Long Walk’ makes par.

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‘Isle of Dogs’ has a tender touch as a quirky comedy, lead by a pack of wild dogs who hope their quest to help a young boy leads to their own protection from destruction.

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With the new Blu-ray release of Anderson’s 2012 standout Moonrise Kingdom, The Criterion Collection has now issued all but one of his movies with a deluxe treatment that celebrates that universe.

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The effortless chemistry of Murray and Lieberher are the main reason that, even at its most clichéd, St. Vincent mostly works.

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Not only do the new 2K restoration of Ace in the Hole and new 4K restored digital transfer of The Life Aquatic with Steve Zissou look fantastic, but the films themselves seem timeless now.

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In The Grand Budapest Hotel director Wes Anderson seems to fully resolve two warring sides of his creative personality, the need to craft exciting visual moments and the ability to build a cohesive long form narrative.

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Tony Revolori plays the young lobby boy in training in Wes Anderson’s new film The Grand Budapest Hotel. Scene Stealers contributor, Trey Hock was able to catch up with Tony and asked him a few questions about the experience.

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Stop-motion animation is a painstakingly long process, one point made perfectly clear by many of the excellent special features on the Criterion Dual Format Blu-ray-DVD combo of Wes Anderson‘s 2009 Roald Dahl adaptation Fantastic Mr. Fox.

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George Clooney returns to the director’s chair with The Monuments Men, a film that is less a stirring love letter to the Greatest Generation and a bygone era in film, and more a checklist, hastily written with a crayon. Based on the true story about a group of aging art history professors and architects that were tasked […]

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The Kansas City Art Institute and Alamo Drafthouse have joined forces to bring you Film School, a weekly student curated film series. This week – Meatballs (1979) – Saturday, June 1st at 2:00 p.m.

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There are movies aplenty in this week’s podcast, as Eric, Trevan and Trey work their way through some late-to-dinner Oscar hopefuls: Promised Land, Not Fade Away, Hyde Park on Hudson and The Impossible. There’s a lot to get through and the guys move fast, so try to keep up. Subscribe to The Scene-Stealers Podcast on iTunes or our RSS.

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