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armie hammer

The most provocative thing about this rote RBG biopic is the title.

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Sorry to Bother You is a timely meditation on class, race, privilege, and the momentum of the masses.

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In ‘Final Portrait’, Geoffrey Rush spends weeks getting the ideal job done, painting a dashing Armie Hammer in this otherwise underwhelming film.

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Call Me By Your Name is a magnificent, magical bit of hypnosis, entranced by the dripping water of drying swim trunks or the meanings of lingering fingers on one’s lips, and you should see it.

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Henry Cavill and Armie Hammer trade in the same kind of faux-clever one-upsmanship that Holmes and Watson do in ‘Sherlock Holmes,’ with similarly weak dialogue but barely a quarter of the charm.

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In all, The Lone Ranger is a mixed bag, but it really just needs an edit and a decisive tone. Had it been 30 or 45 minutes shorter and more focused, it would have been a different film entirely.

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Will our three reviewers ever get to the actual movie or will there love of Michael Bay movies prove a permanent detour? Find out now!

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‘J. Edgar’ is a frustrating watch for sure, and its pace flags several times due to some heavy-handed narration that struggles with these historical themes, but the fact that it’s always fighting itself is kind of fascinating too.

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