In ‘Final Portrait’, Geoffrey Rush spends weeks getting the ideal job done, painting a dashing Armie Hammer in this otherwise underwhelming film.
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In ‘Final Portrait’, Geoffrey Rush spends weeks getting the ideal job done, painting a dashing Armie Hammer in this otherwise underwhelming film.
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Henry Cavill and Armie Hammer trade in the same kind of faux-clever one-upsmanship that Holmes and Watson do in ‘Sherlock Holmes,’ with similarly weak dialogue but barely a quarter of the charm.
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‘J. Edgar’ is a frustrating watch for sure, and its pace flags several times due to some heavy-handed narration that struggles with these historical themes, but the fact that it’s always fighting itself is kind of fascinating too.
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