amy adams

All of the uber-muscled, color-drained visual and aural bombast in the world can’t hide the ugly truth about Batman v Superman: Dawn of Justice. It’s dumb as bricks.

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One good thing about Batman V. Superman: Dawn of Justice? I’m pretty sure a hell of a drinking game can be made around it. Every time Batman crashes into something: take a drink. Every time Lex Luthor monologues about God: take a drink. Every time Lois Lane gets trapped or captured: take a drink.

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With his new film Big Eyes, Tim Burton and collaborators suffer from what I like to call bad history teacher syndrome. They are too interested in the what and not enough in the how or the why.

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Writer/director Andrew Levitas delivers an inconsistent story of a young man dealing with his father’s decision to give up his struggle with cancer.

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in honor of all those sweaty, surly, hard-working, knife-wielding food whores out there, and the filmmakers brave enough to feature them prominently in their flicks, Scene-Stealers is offering up an arbitrary ranking of the best chefs in motion picture history.

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Two films from last year that both employ odd narration strategies couldn’t be farther apart in tone, actually. Here’s a review of American Hustle and The Book Thief, new out on Blu-ray now:

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As Theodore Twombly (Joaquin Phoenix) leaves his spotless, lonely high-rise Los Angeles apartment for work, he is surrounded by thousands of people doing the same thing—every one of them zoned into their own little bubble, talking to someone (or something) on devices that are networked into their home computers.

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This week, Eric takes the week off for a spa visit, so Trevan and Trey enlist the help of Film School co-curator Erin Kennedy to talk about Her, August: Osage County and Lone Survivor. We’ve already talked about Her on last week’s best-of podcasts, but you’ll want to stick around for the Oscar fodder that is August: Osage County and [...]

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Everything is fake—from Christian Bale’s hideous comb-over/toupee combo to Amy Adams’ English accent—in David O. Russell’s messy, hilarious crime comedy American Hustle.

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After a week off, Trevan, Eric and Trey are back with three movies for your listening pleasure.

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Zach Snyder’s take on the most iconic hero in history is a bit of a mixed bag.

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Last year was a great one for movies with big themes and stunning cinematography. No two movies from 2012 encapsulate both of these traits better than Life of Pi and The Master, and both are now out to own on Blu-ray.

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Unexpected: Ben Affleck, Tom Hooper, Quentin Tarantino, and Kathryn Bigelow snubbed in Director in favor of Benh Zeitlin and Michael Haneke.

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‘The Master,’ confirms an assertion Trey made when he left the theater after viewing ‘There Will Be Blood,’ that the 2007 masterpiece was a turning point for P.T. Anderson.

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It’s quiet, muted at times, as Anderson says with a single shot what lesser directors spend entire scenes on creating, and it ends on a vague whimper.

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