2017

Stalker, released originally in 1979, is a challenging piece of cinema. It’s a lengthy, talky quest for meaning, punctuated by long takes and huge moments of silence.

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Atomic Blonde’s script, adapted from a graphic novel, is too clever for its own good, with twists that are obvious from the get-go, and a whole lot of misplaced sympathy that its characters never earn.

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‘Dunkirk’ is an amazing visual achievement but feels as void of heart and character as it is full of filmmaking craftsmanship.

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‘SCORE: A Film Music Documentary’ opens at Screenland at Tapcade today. This is a full, encompassing look at film scores, starting with the beginning of film and organists in the theaters to modern-day movies and the full orchestras they incorporate.

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‘Footnotes’ is a whimsical and original musical comedy about Julie, a young woman struggling to make ends meet in France’s radically changing economy.

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[Rating: Rock Fist Way Up] Director Matt Reeves has done something truly spectacular with War for the Planet of the Apes. The third (and final?) installment in this reboot series is not only an emotionally dour thrill ride, but has once again highlighted the brilliance of Andy Serkis, whose performance as Ape leader Caesar proves [...]

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Spider-Man Homecoming is a fun and exciting addition to the Marvel Cinematic Universe with a performance by Tom Holland that captures the web head perfectly.

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Nicholas Ray would go on to make In a Lonely Place, Johnny Guitar, and most famously, A Rebel Without A Cause. The new Criterion Blu-ray of They Live by Night proves that his filmmaking was assured and iconoclastic right from the beginning.

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We have advance screening passes to see the new horror movie WISH UPON in Kansas City and we want you to have them!

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Packed with a killer soundtrack, a groovy cast, and an intelligent script, Baby Driver is one of the smartest, coolest and most entertaining movies of 2017.

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The filmmakers didn’t set out to make a bad film. Yet despite the best efforts of everyone involved, The Book of Henry falls far short of the goal.

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For those of you who love great acting, original plots, and engaging, interesting characters, you’re going to want to avoid this generic action flick.

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A tender coming of age tale stocked with a few poignant surprises, the Italian comedy, Feather (Italian: ‘Piuma’), will inevitably draw comparisons to like-minded pictures such as Juno or Knocked Up.

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This feels like the movie Sam Elliott has been waiting his whole life to make, which, if true, worked out well for the guy. He’s never been better.

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‘Wonder Woman’ is good but not for the reasons you think it is.

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