2015

Brooklyn is cinematic pea soup. It’s groggy, flavorless and utterly unremarkable. Not even Nick Hornby’s script or Saoirse Ronan’s performance can save it.

{ Comments on this entry are closed }

A single woman takes the place of a stranger’s blind date, which leads to her finding the perfect boyfriend.

{ Comments on this entry are closed }

Room is a powerful drama that signals the arrival of Brie Larson as a dramatic actress.

{ Comments on this entry are closed }

It has so many internal references and so much in terms of pre-knowledge groundwork that it works as a Peanuts film, but somehow it still utterly fails at feeling like one.

{ Comments on this entry are closed }

The Keeping Room, opening today in Kansas City, is a slasher film disguised as a period drama.

{ Comments on this entry are closed }

Aaron Sorkin returns to Silicon Valley this time with director Danny Boyle for Steve Jobs, a movie that is less a biopic and more a collection of three one-act plays that are less concerned with the man and more concerned with perpetuating the legend of the magnetic, charismatic, dreamer who founded Apple and revolutionized computing.

{ Comments on this entry are closed }

The Martian’s smart script and sharp construction will make it a joy to watch again. It’s genuinely fun without dumbing itself down.

{ Comments on this entry are closed }

With the new Blu-ray release of Anderson’s 2012 standout Moonrise Kingdom, The Criterion Collection has now issued all but one of his movies with a deluxe treatment that celebrates that universe.

{ Comments on this entry are closed }

A review of Brian De Palma’s controversial 1980 thriller Dressed to Kill, recently released in a restored uncut version for The Criterion Collection on Blu-ray.

{ Comments on this entry are closed }

The Visit may not be a ringing success, but it is also far from a complete failure. It may just be the first film from M. Night Shyamalan in a very long time that you should go and see in the theater.

{ Comments on this entry are closed }

The films of Noah Baumbach have two constants, his love of New York and his obsession with moments of transition. His latest film Mistress America is no different, though more distilled and hilariously funny.

{ Comments on this entry are closed }

Caught between a forbidden romance and the expectations of his friends, aspiring DJ Cole Carter attempts to find the path in life that leads to fame and fortune.

{ Comments on this entry are closed }

Z for Zachariah is a post-apocalyptic story of survival.

{ Comments on this entry are closed }

Best of Enemies examines the televised debates between intellectuals William F. Buckley, Jr. and Gore Vidal, which coincided with the presidential primaries of 1968.

{ Comments on this entry are closed }

Jesse Eisenberg stars in American Ultra, a spy movie/stoner movie hybrid that plays a lot like if Jason Bourne worked at the same convenience store as Dante and Randal.

{ Comments on this entry are closed }