Director Andre Gower’s effusive documentary, ‘Wolfman’s Got Nards,’ about the 1987 cult horror flick ‘The Monster Squad’—which he starred in as a kid—will please die-hards.
{ Comments on this entry are closed }
1987
The Kansas City Art Institute and Alamo Drafthouse have joined forces to bring you Film School, a weekly student curated film series. This week – Full Metal Jacket (1987) – Sunday, December 1st.
{ Comments on this entry are closed }
The Kansas City Art Institute and Alamo Drafthouse have joined forces to bring you Film School, a weekly student curated film series. This week – Hellraiser (1987) – Saturday, October 12th.
{ Comments on this entry are closed }
West of Memphis is a documentary that distills 19 years of a witch hunt, a grass roots movement, lost leads, confusion, countless appeals, and hope into one remarkable movie that is hellbent on setting the record straight. Co-produced by Peter Jackson, one of many WM3 supporters who lent not only his money and time but considerable investigative effort to free the wrongly convicted Echols, Jason Baldwin, and Jessie Misskelley, it is a film with enough fervor for all three Paradise Lost movies.
{ Comments on this entry are closed }
The Kansas City Art Institute and Alamo Drafthouse have joined forces to bring you Film School, a weekly student curated film series. This week – River’s Edge (1987) – Saturday, July 27th at 1:00 p.m.
{ Comments on this entry are closed }
The Kansas City Art Institute and Alamo Drafthouse have joined forces to bring you Film School, a weekly student curated film series. This week – Cherry 2000 (1987) – Saturday, June 8th at 2:25 p.m.
{ Comments on this entry are closed }
Miami Connection is one of those rare films where the positive energy exuded by its oh-so-amateur cast and crew starts to rub off on you, despite the fact that almost all of the basic tenets of motion-picture storytelling are non-existent.
{ Comments on this entry are closed }
Near Dark’s director, Kathryn Bigelow, would go on to become the first female recipient of the Academy Award for Best Director in motion picture history for The Hurt Locker.
{ Comments on this entry are closed }
Two classic movies are new out on Blu-ray now. One is a family film from the 80s and the other is a restored version of an award-winning world cinema masterpiece.
{ Comments on this entry are closed }
The first film in this month’s Horror Remix is 1987’s The Video Dead. It’s poorly acted, and is about a cursed television set that brings forth zombies upon the world. It’s pretty much as fantastic as it sounds.
{ Comments on this entry are closed }
I try not to go to the Arnold Schwarzenegger well too often. After all, the man’s entire career has a place on this blog. Ever since he made is debut as Hercules in “Hercules In New York,” his acting career has been a virtual litany of bad action movies or just plain bad movies meant […]
{ Comments on this entry are closed }
As anyone who’s seen it can attest, 1987’s “Over The Top” is without a doubt the worst movie in Sylvester Stallone’s career–a career, mind you, that includes “Stop Or My Mom Will Shoot” and “Judge Dredd.” After the surprising success and critical acclaim of “Rocky” and the decision to turn the seemingly one-off story into […]
{ Comments on this entry are closed }