"Eternal Sunshine of the Spotless Mind" is a real treasure

by Eric Melin on March 12, 2004

in Print Reviews

You are your memories. They define you. Attraction is something not to be trifled with, a dangerous thing.

“Eternal Sunshine of the Spotless Mind” is the amazing new collaboration between writer Charlie Kaufman (“Being John Malkovich,” “Adaptation”) and director Michel Gondry (“Human Nature”). Jim Carrey, cast way against type, is excellent as Joel, a shy and inward man incapable of initiating contact with a woman. We hear talk of Naomi, his fiancée, but we never see her. Instead, we meet the eccentric Clementine (Kate Winslet), no jokes about her name please. An inevitable pull between the two slowly develops.

As with many of Kaufman’s screenplays and Gondry’s music videos (Björk, Chemical Brothers), “Eternal Sunshine” relies more heavily on atmosphere and hidden meanings than on any sort of traditional structure. The first and third acts are relatively sane, narration-wise, but also very short. The old-fashioned notion that the thrust of the story must be obvious is erased like an unpleasant memory in favor of a surreal, puzzle-like middle act.

I have to stress, however, that “Eternal Sunshine” is not just weird for weird’s sake. There is no hairy midget baby, no darkly shrouded Satan woman, and no naked mystical Indians to be found. More time is spent on the universal themes of loneliness and need, and how Joel and Clementine are perfect together because they will never be perfect for each other.

I’m sitting here and I just forgot every single thing I was going to write. Did you ever notice that since Gene Siskel has died, Roger Ebert gets first billing with “Ebert & Roeper”? I wonder what Siskel would have thought of “The Passion of the Christ”? I can’t remember if he dug that pretentious Oliver Stone movie “The Doors,” featuring Jim Morrison’s spiritual naked Indian guide.

After a fight with Joel, Clementine impulsively has him erased from her memory. Kirsten Dunst plays the secretary at Lacuna, Inc. and Tom Wilkinson plays the doctor in charge of giving his clients “selective” brain damage. In this absurd mind-trip, it is only natural that a company capable of non-surgically erasing entire sections of painful memory is located in a nameless building in Manhattan, New York. That is Lacuna’s specialty, and the legality of this service is never questioned. There isn’t much money involved in giving their client’s a supposed “clean slate,” otherwise they’d be operating out of some fancy office. They would be living in some way nicer digs. Obviously, that is not the point. Don’t ask how.

Editing this movie must have been a huge challenge. Writing this review is a daunting task. Summing up the story of “Eternal Sunshine of the Spotless Mind” in a straightforward manner may be difficult. Director Gondry has made this review available to you sometimes in fragments that can be pieced together at your own pace. Subscribe your own meanings to some of these opinions.

One painful memory: when Joel was young, his mother caught him diddling under the covers to a comic book. This brings back some memories for me, since I grew up listening to KISS. Not supposed to use “since” unless the next sentence directly relates. I read a lot of comic books, like “Red Sonja,” the female counterpart to Conan the Barbarian. Armored bikini. Clementine, as an adult, is inserted into Joel’s memory of himself in bed, clad in a “Love Gun” KISS T-shirt circa 1977. And there’s Mom. That particular brand of humiliation is universal.

I have always wanted to write movie reviews for a living. Even as a young kid, I used to love to watch Gene Siskel and Roger Ebert battle it out while discussing their passion for movies on PBS’ “Sneak Previews.” This is before it went into syndication as “At the Movies with Siskel and Ebert”. That may not be the correct title, though. We never see what Joel does for a living. It is not important.

“Eternal Sunshine’s” visual style is very flat, until Joel’s memories start imploding on each other. As one scene begins, another seen scene seems to invade, only to reappear in a slightly different context in the next seen. Even then, the lighting is sparse, and the colors remain dull. But as Joel’s older past gets mixed up with his more recent past, Gondry’s visual bag of tricks spills all over Joel’s memories.

“Eternal Sunshine” inventively showcases two clearly obscured ideas showcased inventively, turned around on themselves, of a spotless mind.

Your memories define who you are. The mutual attraction that pulls two people together is too strong to be eliminated by simply deleting the moments that you have had together. Movies this brilliantly designed and executed are rarities. Movie reviews this deliberately confusing should not always be published. “Eternal Sunshine of the Spotless Mind” is a real treasure.

I think the show might have actually been called “Siskel and Ebert At the Movies.” Great show. Four Stars.

Eric is the Editor-in-Chief of Scene-Stealers.com and writes the Screen Stealers column for The Pitch. He’s President of the KCFCC, and drummer for The Dead Girls and Ultimate Fakebook. He is also Air Guitar World Champion Mean Melin. Eric goes to 11. Follow him at:

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{ 1 comment… read it below or add one }

1 poze August 27, 2014 at 1:48 pm

Joel (Jim Carrey) is a rather milquetoast man who meets up with free spirit Clementine (Kate Winslet), and they become romantically involved. However, they endure a messy breakup and Clementine goes to a business called Lacuna, Inc., where she has all of her memories of Joel erased. Not wanting to be left out, Joel also goes to have his memory erased. However, soon after it begins, Joel realizes that he wants to keep the memory of Clementine, so he tries to reverse the process.

Well, if you’re familiar with Kaufman’s work, then you know what your getting yourself into. This is just as weird if not weirder than his previous work, Being John Malkovich. I knew what I was getting myself into, but 90% of the movie I was saying to myself “What the hell is going on?”, but in a good way. It opens with Joel calling in sick for work and going on a different train, heading for Montauk. He meets Clementine and they hit it off. Now this is about 15 minutes into the movie, then out of nowhere come the opening credit sequence. I will admit, I thought it would be different, but I’m glad that it is the way it is, the movie is 80% of the time in Joel’s head.

If you think you know Carrey, think again. This movie is his best performance, better than Majestic, Truman show and all of his comedic roles (which is what I love him for). Just looking at his face from the second we see him, we feel his pain, then like that, we feel his joy, embarrassment and hate. Just awesome acting on his part, and Winslet was great as the free spirit who never seems satisfied. The supporting cast all work well in their small, yet important roles. Oscar nominations for Winslet and (crosses fingers) Carrey.

But if I were to bet any money on any Oscar nominations it would obviously be the writing, what a mess, but beautifully constructed. You think to yourself, is that scene really necessary? Then ten minutes later you think to yourself how brilliant it was, that’s beautiful, crazy, give me whatever he’s smoking kind of writing. Charlie Kaufman’s writing is always clever, but this time he’s one-upped himself by making something simultaneously bizarre and emotionally engaging. It seemed like his earlier movies were clever for the sake of cleverness, but ‘Eternal Sunshine’ manages to dazzle you with it’s originality and it’s poignancy. The fact that this movie was able to wrap such profound loss, emotional tenderness, and hope in such a self-consciously stylized package illustrates the incredible talent of the people behind it.

Michel Gondry’s use of vibrant coloring and quick camera movement give the film a very involving first hand feeling. The constant use of the handy cam is very all involving for the viewer, and I suppose that this is exactly what is needed in such a personal movie. His work on the dream sequences is incredible as well. He decides to use more practical effects than what we see today with computers.

Eternal Sunshine is a tragic, yet beautiful film that sits at the top of my list of “Best of 2004″.


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