Reviews

78/52 does more than just analyze the scene the film is known for, but helps viewers understand the importance of this scene and the importance of Hitchcock’s work as the Master of Suspense.

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Liam Neeson plays ‘Mark Felt: The Man Who Brought Down the White House’ in a cold, soulless D.C. performance.

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Unfocused, indulgent, and scattered, Human Flow, opening at the Tivoli Friday, doesn’t know what it wants to be, and has an even more difficult time trying to figure out what it wants to say.

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The Meyerowitz Stories (New and Selected) returns to the artistic-cultural NYC world explored in Baumbach’s last two NYC dramedies, What is remarkable in this script is how much sympathy Baumbach generates for his characters, who in lesser hands would be one-dimensional brutes.

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With its mix of shocking violence and affecting drama, Brawl in Cell Block 99 pushes the prison movie genre to new heights.

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An art student taps into a rich source of creative inspiration after the accidental slaughter of her rapist. An unlikely vigilante emerges, set out to avenge college girls whose attackers walked free – all the while fueling a vivid thesis exhibition.

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Few actors could lay claim to a more storied and dynamic a career, so it seems perfect that Harry Dean Stanton would go out giving a performance about an old man’s triumphant claim of victory on a life well lived.

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Writer/director Ryan Eggold is toying with some interesting stuff with all this, yet the emotional and thematic dots just don’t quite connect.

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Both Haneke and Huppert were clear on their intentions from the start, and this alignment produced a movie that holds up as one of the best arthouse films of the last 20 years, with a nearly unmatched quiet kind of intensity.

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‘Battle of the Sexes’ delivers an impressive match from Emma Stone and Steve Carell that faults as a standard biopic.

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Opening this week at the Screenland at Tapcade after a successful run in the festival circuit, Zoology is a headscratcher, but an admittedly interesting one. What it lacks in thematic focus it almost makes up for with its concept and fantastic cast…almost.

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This documentary about all-female mid-90s grunge band L7 tells a story that unintentionally become timeless to different generations.

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A quiet, cerebral meditation on poverty, adolescence, gang culture, and “family,” Dayveon tells a complicated story in a startlingly accessible way. Opening Sept. 22 at the Screenland at Tapcade.

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If Pennywise still gives you nightmares after all these years, the IT remake is going to ruin you.

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‘Second Nature’ is a woefully under-baked concept set in an absurd world that is entirely disconnected from reality.

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