Reviews

Richard Stanley’s adaptation of H.P. Lovecraft’s ‘Color Out of Space’ teeters on the edge of greatness many times, but never fully commits to its cosmic horror.

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‘The Wave’ is a visually impressive trip, but ultimately a very hollow experience.

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The acting is engaging, but the ensemble drama ‘Three Christs’ is let down by a dull script.

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The macho, Rambo-esque energy throughout ‘Disturbing the Peace,’ combined with its social politics, make it a thoroughly ugly and distasteful experience.

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Laden with British character actors and featuring a whip-smart story, ‘A Serial Killer’s Guide To Life’ (out January 13 on iTunes and Digital HD), takes the road movie formula and turns it into a dryly black comedy about finding one’s true self.

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‘Inherit the Viper’ is a slick, well-crafted journey into the heart of an opioid-ravaged America that is disappearing in pockets day by day.

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Director John Strysik’s 1995 feature ‘The Spirit Gallery’ is a hallucinatory shot-on-video oddity which manages to take a familiar plot and turn it into something special.

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Tense, gripping, beautiful, and brutally relentless, director Sam Mendes has achieved something extraordinary with his newest feature, ‘1917.’

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Don’t for one second try to tell me that it is even in the same league of mediocrity as the prequel trilogy.

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The kids will have fun at ‘Spies in Disguise.’

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Greta Gerwig has absolutely knocked it out of the park with her take on Louisa May Alcott’s ‘Little Women,’ which is as affecting as it is relevant.

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It’s pretty awful, but ‘Cats’ is somebody’s kink, somewhere.

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Star Wars, at its best, explores these kinds of messy, difficult places in an arc mythic setting, better allowing us to delve into those emotional pits contained within us. Not this one.

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A ripped-from-the-headlines drama with timely themes and an A+ cast, ‘Bombshell’ has everything it needs to succeed, yet sucks all the same.

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‘The Madness Within’ is a sex-and-drug fueled bore and seems like a total vanity project from writer-director-actor Hunter G. Williams.

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