Warren Cantrell

Housing the look, feel, and story beats of a noir mystery thriller, ‘Terminal’ fails to capture any of the magic or narrative elements that propel these stories to greatness.

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A clumsy assemblage of characters and moments that flirt with authenticity and relevance, ‘Kings’ starring Halle Berry and Daniel Craig, has an idea of what it wants to be, yet can’t put the pieces together to make it work.

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Opening Friday at Screenland at Tapcade, The Endless is an interesting and well-conceived psychological thriller with heart.

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Wild Salomé is a meditation on obsession, both in its subject, but also by way of the form of artistic expression itself.

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A political farce of the highest caliber, ‘The Death of Stalin’ is equal parts funny and terrifying.

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Now playing at Screenland at Tapcade, this twisted Lolita-ish neo-noir stars Sophie Turner from ‘Game of Thrones.’

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‘The Forgiven’ adds up to a disjointed, confused, technically deficient movie with uneven acting laid over subject matter that leaves little room for error.

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Opening Friday, Nostalgia is an assembled collection of self-important, thousand-yard-stare monologues is a sophomoric meditation on the fleeting nature of existence.

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A bad movie with a lot of heart and a good message, Half Magic is a harmless fable about modern, professional women trying to thrive in a man’s world.

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A lazy collection of clichés with almost no personality and even less of a reason to exist, ‘7 Guardians of the Tomb’ is a movie without a soul.

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Opening this Friday in limited theatrical release and simultaneously on VOD, Poop Talk is a funny exploration of what it means to be a functioning creature on planet Earth that has to excrete something for everything it takes in.

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Opening tomorrow at the Screenland at Tapcade, Still/Born is just what you’d expect from an indie horror-thriller opening in February. It’s interesting, engaging, a little bit terrifying, and a lot bit suspenseful.

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Opening today at the Screenland Crossroads at Tapcade, Vazante is an interesting movie directed by a deliberate, thoughtful filmmaker with something to say.

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This Scott Cooper western starring Christian Bale grapples with themes of post-war reconciliation, genocide, honor, and transcending notions of “other.”

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Phantom Thread oozes purpose with each scrap of its being, and represents some of the best work of Paul Thomas Anderson’s career (and some of the funniest).

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