Nick Spacek

The trick to it was to say that these movies are the “most metal,” and I am your guide as to what consists the “most metal.” You’re either going to like what I say or not.

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The concept of Punk In Africa (out now from MVD Visual) is amazing – underground bands, in the time of apartheid, integrating racially and playing music that speaks truth.

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So many of the people in “Rewind This!’ are 100 percent honest about how success on VHS was about presentation of product, meaning that films were sometimes sold on the basis of a title and cover art alone.

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The ’83 US Festival was the second of two festivals Steve Wozniak put on in the hills near San Bernadino, California. A new DVD from MVD Visual is a pretty lame best-of compilation of this massive show.

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It’d been nearly a decade since I’d last seen Empire Records before I went to the Alamo Drafthouse Mainstreet to catch it last Thursday.

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Musician Thomas Dolby has never made a film until now. The Invisible Lighthouse is a personal documentary made almost solely by Dolby that details the closure of a lighthouse on the coast of England near his home in Suffolk.

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On Thursday, November 14, Middle of the Map Fest presents a 35mm screening of Empire Records at the Alamo Drafthouse Mainstreet. Antennas Up will be playing songs from the movie — we asked, but they won’t tell us which ones. Mills Record Company will have a pop-up shop in the lobby.

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The 1983 hip-hop film Wild Style has its 30th anniversary this year and Chicago-based Music Box Films is releasing a bad-ass double-disc DVD set to celebrate on October 1. (It’s also available on VOD.) It’s a remastered version of the seminal movie, and the DVD extras include live performances, interviews, and a detailed booklet.

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This Saturday sees the release of the documentary Last Shop Standing: The Rise, Fall and Rebirth of the Independent Record Shop via Blue Hippo Media. This film is the official film of this year’s Record Store Day.

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These face-melting movie scenes count as some of the first real glimpses many of us had for gore. Despite the fact that you now see on prime-time television scientifically correct images of what happens when a body is rent asunder by an number of accidental causes, there’s something to be said for the cartoonish, yet horrendous manner in which a face just drips right away.

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I’m Now stays focused on Mudhoney. While Nirvana, Pearl Jam, et al are mentioned, it’s only when they’re pertinent to the narrative. At no point do the directors attempt to make this a more commercial film by making it about Mudhoney’s more well-known contemporaries.

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Michael Caine and Peter Billingsley headline two obscure cult thrillers from the 1980s out now on Blu-ray and DVD courtesy the Scream Factory arm of Shout! Factory. Do they hold up?

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All of the stories and line-up changes and drugs and alcohol abuse are recounted in My Career As A Jerk, and with minimal glossing-over.

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With the new documentary  Screaming In High Heels — out now on DVD from Breaking Glass Pictures — director Jason Paul Collum has done more than just chart the rise of “The Terrifying Trio” of cult actresses Brinke Stevens, Michelle Bauer, and Linnea Quigley. Collum has also created a film that shows the decline of the grindhouse, [...]

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The special effects are what set Zombie A-Hole apart. Thanks to ever-more-powerful home computers, effects in your standard indie horror flick are better than some straight-to-video or SyFy original movies.

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