Kate Walz

If the kids drag you to ‘The Lion King’ this weekend, at least see it in IMAX.

{ 0 comments }

Zhang Yimou’s ‘Shadow is a beautiful and bloody martial arts film.

{ 0 comments }

‘Ophelia,’ starring Daisy Ridley, Clive Owen, and Naomi Watts, is drowned by bad feminism and too many Shakespeare references.

{ 0 comments }

‘The Sun is Also a Star’ is super cheesy, but makes some much needed updates to the teen romance genre.

{ 0 comments }

Red Joan spy thriller with Judi Dench and Sophie Cookson never offers a compelling motives or plot.

{ 0 comments }

Newcomers tackle teen suicide, and don’t quite get it, in ‘Just Say Goodbye’ starring Max MacKenzie.

{ 0 comments }

Elizabeth Moss is at the top of her game in Alex Ross Perry’s 90s alt-punk piece ‘Her Smell.’

{ 0 comments }

An excellent cast, led by Theron and Rogen, and top-notch writing make ‘Long Shot’ a sure thing.

{ 0 comments }

Garth Davis’ ‘Mary Magdalene’ is historically accurate and respectful, but great performances by Joaquin Phoenix and Tahar Rahim can’t save it from being boring.

{ 0 comments }

Indie psychothriller ‘Long Lost’ is a twisty, weird ride.

{ 0 comments }

Emilio Estevez’s new movie ‘The Public’ offers great cast, but manufactured feels due to a lackluster script.

{ 0 comments }

Hilary Duff and Daniel Farrands disrespect the dead in ‘The Haunting of Sharon Tate.’

{ 0 comments }

Olivia Wilde frees the abused in a strong debut by Sarah Dagger-Nickson.

{ 0 comments }

‘Ruben Brandt, Collector’ immerses viewer in paintings during abstract animated story.

{ 0 comments }

‘Capernaum’ proves hell is on earth in unflinching story of refugee life.

{ 0 comments }