Christian Ramos

‘Adrift’ finds two lovers stranded in the Pacific Ocean with only their love, stamina and a damaged boat keeping them alive.

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‘The Rider’ is a slow trot through broken dreams resolved by hope and friendship.

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In ‘Disobedience’ two Rachels, Weisz and McAdams, find themselves in a forbidden romance that test their communities religious morals.

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In ‘Final Portrait’, Geoffrey Rush spends weeks getting the ideal job done, painting a dashing Armie Hammer in this otherwise underwhelming film.

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Good intentions aren’t enough in this lame comedy from Amy Schumer.

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When young Anna escapes from her forest prison, she starts to come of age but under sinister circumstances which have haunted her dreams her whole life.

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‘Isle of Dogs’ has a tender touch as a quirky comedy, lead by a pack of wild dogs who hope their quest to help a young boy leads to their own protection from destruction.

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‘I Kill Giants’ finds young Barbara preparing to face her demons in the form of mile-high giants roaming the earth.

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A love story for those wanting to find themselves, ‘Love, Simon’ hits right at the heartstrings.

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Even if the ‘Red Sparrow’ trailer says you’ll be guessing until the very, very end, the only thing you’ll likely guess is how much more you have to endure.

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‘The Female Brain,’ at Screenland at Tapcade now, makes the topic even more of a labyrinth than it already is.

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At Panic Fest 2018 now, ‘Lowlife’ takes your adrenaline and boosts it in an intense and bloody thrill-ride even Tarantino would love.

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Showing at Panic Fest this weekend in Kansas City, ‘The Cured’ starring Ellen Page, is a zombie movie as sociopolitical allegory.

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Not even Thor himself on a horseback or the great cast of Michael Shannon, Michael Peña or Trevante Rhodes who is severely underused here, could help this movie out.

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Spielberg’s newest feature champions freedom of the press at a time when we need it the most.

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