August 2013

Blackfish, the documentary from director/co-writer Gabriela Cowperthwaite contains a simple truth that it spends its 83-minute runtime explaining, evaluating and returning to over and over again – keeping majestic, powerful creatures in captivity for interactive entertainment is wrong.

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Impeccable direction and a host of amazing performances make The Hunt one the best films of the year so far.

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Prince Avalanche brings together immense talent in all departments, and it is a strong step in the right direction for David Gordon Green. It is a terrific film that will ultimately be seen by very few people, but is well worth your time.

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A review of Shout! Factory’s excellent new DVD/Blu-ray re-issue of the 1975 sci-fi post-apocalyptic film ‘A Boy and His Dog’!

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What Maisie Knew is a perceptive adaptation of Henry James’ 1897 novel about a child stuck in the middle of a custody battle between divorced parents in London. If you want to see a film where secret service agents, military, and the highest ranking officials in the U.S. government are mowed down in bloody gunfire and subjected to humiliation, Olympus Has Fallen is for you.

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Elysium is the first film in four years from writer/director Neill Blomkamp, who tackles class warfare and features a host of other political hot-button parallels from immigration and healthcare reform to drone strikes, but also throws in some campy ultra-violence.

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Matt Damon stars in Neil Blomkamp’s latest dystopian Sci-Fi epic, but does Elysium have anything new to say?

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Opening at the Alamo Drafthouse in Kansas City this weekend is a remarkable achievement in the genre of documentary filmmaking called The Act of Killing that must be seen to be believed.

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Jason Sudeikis, Jennifer Aniston, and Emma Roberts set out together in this uneven comedy about a fake family’s drug smuggling road trip.

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Percy Jackson returns for yet another underwhelming mythological adventure.

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Trey Hock had the chance to chat with director Joshua Oppenheimer about his documentary The Act of Killing which is in theaters this Friday.

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To watch Seconds is to enter a special kind of Hell that leaves no one unscathed. It indicts the money-grubbing culture of businessmen and the burgeoning hippie aesthetic as equally hollow with a simple, sinister premise.

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West of Memphis is a documentary that distills 19 years of a witch hunt, a grass roots movement, lost leads, confusion, countless appeals, and hope into one remarkable movie that is hellbent on setting the record straight. Co-produced by Peter Jackson, one of many WM3 supporters who lent not only his money and time but considerable investigative effort to free the wrongly convicted Echols, Jason Baldwin, and Jessie Misskelley, it is a film with enough fervor for all three Paradise Lost movies.

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Two horror movies out Tuesday on DVD and Blu-ray take completely different approaches, though neither is wholly successful.

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The Canyons, a sex-driven thriller written by Bret Easton Ellis, the writer who penned American Psycho, and directed by Paul Schrader, the writer of Taxi Driver and Raging Bull, might just be worth watching.

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