January 2013

When it came out ‘Raging Bull’ barely made its money back and almost ended Martin Scorsese’s career. By the end of the 1980s it had won almost universal critical praise.

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Concussion is a film about a New York wife and mother who suffers a little head trauma, an injury that leads her to a stunning realization: she doesn’t much care for her life, and wants to try something new. Yet this is hardly an American Beauty reboot.

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‘Halley’ is a quiet, challenging film about a man who keeps going long after his time in the universe has passed. Check out this review of ‘Halley’ from the 2013 Sundance Film Festival.

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A beautifully shot picture with stunning performances from each member of the cast, Kill Your Darlings is a very tender, thoughtful tribute to the Beats, and their spiritual leader, Ginsberg.

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A very frustrated, fatigued, and self-aware videogame soldier named Brooks laments how many friggin’ times he’s had to play this particular level in this Sundance 2013 selection.

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A good chunk of the people bumped into on the Park City sidewalks are lean, fit, well-tanned, immaculately dressed out-of-towners who look like they’ve used the phrase “money is no object” at least twice this week.

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‘Rust and Bone’ sinks its hooks into you and forces you to follow these characters, which are so strange, so alien, and also wholly familiar.

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Eric, Trey and Trevan talk about two new releases (Mama and Broken City), discuss disappointments and pleasant surprises of The Golden Globes and The Critics Choice Awards before speculating on The Oscars, and finally recap some of their favorite moments from 2012 in film. Subscribe to The Scene-Stealers Podcast on iTunes or our RSS. Also, check it out! Here’s […]

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‘Broken City’ is a detail-oriented neo-noir that actively plays with and subverts the tropes and characters so often associated with the genre.

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Brought to you by first-time director Andres Muschietti and producer Guillermo del Toro, this extension of Muschietti’s 2008 short film of the same name, does a number of things very well. But the script, oh my oh my, the script.

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What makes Zero Dark Thirty such a fascinating film is that it plays both as an engaging procedural thriller and a serious examination of the country’s moral compass. It is already doing what great movies do—starting conversation.

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Post image for Trevan’s Top 10 of 2012

Trevan’s Top 10 of 2012

by Trevan McGee on January 15, 2013

in Top 10s

Alright, I drew the short straw, which means that after today’s 10 list we can put 2012 away for good. Until the Oscars. It was an exceptional year for film, as we saw new offerings from Paul Thomas Anderson, Wes Anderson, Quentin Tarantino, Peter Jackson, Rian Johnson and so many more. Ben Affleck proved himself. […]

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‘The Tin Drum’ is a fascinating blend of magical realism and black comedy, all told from the point of view of a super-intelligent three-year old boy in Danzig, Poland who realizes the ridiculousness and futility of adulthood at a young age and refuses to grow older.

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The movie isn’t very scary, but it does pile a bunch of really tasteless twists on towards the end that make no sense and it almost becomes a comedy.

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It’s a podcast with one of the best and worst films in recent memory, so don’t miss it.

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