1974’s Black Christmas is considered a classic, especially due to the fact that so many of it’s tropes have been lifted by films that succeeded it.
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1974’s Black Christmas is considered a classic, especially due to the fact that so many of it’s tropes have been lifted by films that succeeded it.
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‘The Age of Movies: Selected Writings of Pauline Kael’ collects some of the impassioned New Yorker critic’s best writing — essay-length diatribes on specific movies and trends.
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‘Willy Wonka & the Chocolate Factory’ has been re-issued on home video again, this time in a three-Disc 40th Anniversary Collector’s Edition. Is it worth it?
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In the 17th installment of our bi-weekly movie-themed comic strip, Chicken takes Egg to dinner in a spoof of a divisive thriller. Which is it?
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John Carpenter’s ‘The Thing’ was derided by critics when it came out in 1982 but is now rightly considered somewhat of a horror classic. Here’s why.
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Two of the best movies of the year are out on Blu-ray and DVD this week, and although each explores the human condition, they couldn’t be farther from each other in approach.
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Two very different kinds of wars are profiled in this Blu-ray review of an old classic and a new movie that’s sure to become one.
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If you want a toe-tapping, boot-scooting Saturday night or Sunday afternoon fun–‘Footloose’ 2011 is your movie. Sorry, Kevin Bacon, but it’s the truth.
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Great care has been taken to not fill ‘The Thing’ remake/prequel thingie full of lame, jittery camera angles and a faster-than-necessary pace, which is nice. But is it too generic?
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Roman Polanski and Jean Cocteau are featured in this review of two of Criterion’s new Blu-ray issues of weird, weird films.
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In The Scene-Stealers Podcast #37, Trevan and Eric catch up after two weeks off by talking about “Moneyball,” “50/50,” “Cave of Forgotten Dreams” and “Real Steel.”
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Real Steel is a glossy, soulless piece of junk that wants you to cheer along, but it doesn’t earn one ounce of real anything.
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